• 超級–軌跡 當代媒體與生活的總和展覽專刊
  • 超級–軌跡 當代媒體與生活的總和展覽專刊
  • 超級–軌跡 當代媒體與生活的總和展覽專刊
  • 超級–軌跡 當代媒體與生活的總和展覽專刊
  • 超級–軌跡 當代媒體與生活的總和展覽專刊
  • 超級–軌跡 當代媒體與生活的總和展覽專刊

超級–軌跡 當代媒體與生活的總和展覽專刊

本書為臺南市美術館「超級–軌跡 當代媒體與生活的總和」之展覽圖錄。
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「超級-軌跡當代媒體與生活的總和」是臺南市美術館開館以來最大型的當代美術展覽,此次展覽由本館與策展團隊tamtamART、INTER-MISSION進行跨國合作,這些跨國合作的藝術家都屬於世紀末出生的藝術家,大多成長於電腦技術長足發展的世代,參展藝術家總計16人,來自國家計有台灣、新加坡、西班牙、德國、日本、法國等。透過這樣的結合,將年輕世代的藝術理念呈現在眼前,作品内容十分多元,尤其是多元化時代當代人文精神何去何從,乃是這個展覽想要呈現的內容;只是是沒有答案的展覽。 

規格說明

/目次 Content/

館長序/潘襎  Director's Preface / Fan Pan 4

策展論述        Curatorial Discourse       6

策展團隊介紹 Curatorial Team tamtam Art/ INTER—MISSION            38

藝術家作品與圖版 Artists' Statements and Plates          54

 

/超級_軌跡 當代媒體與生活的總和/

指導單位        臺南市政府

贊助單位        新加坡國家藝術委員會

                   拉達藝術學院

                   友愛街旅館

                   富華大飯店

展覽協力       長榮大學

                   長榮大學美術學系

                   藝術庇護所與電影院

發行人          黃光男

總編輯          潘襎

總監             林育淳

執行監督       莊東橋

編輯             常鴻雁

策展團隊       tamtamArt/ INTER-MISSION

展覽執行       常鴻雁、陳菡暘

主視覺設計    林煥純

展場製作       錦大室內裝修工程行

影音整合       佳雋科技企業社

燈光設計規劃 黃鈿翔

展場攝影       蕭楷競

英文翻譯       廖蕙芬

美術編輯       林煥純

印刷           圓彩國際企業有限公司

發行日期       2020年1月

發行數量       300本

版次            初版

定價            新臺幣950元

ISBN           978-986-5415-53-2(平裝)

發行單位/臺南市美術館 Published by / Tainan Art Museum

地址/1館-70049臺南市中西區南門路37號

       2館-70041臺南市中西區忠義路二段1號

Address/ BLOG 1- No. 37, Nanmen Rd., West Central Dist., Tainan City 70049, Taiwan (R.O.C.).

             BLOG 2- No.1 Section 2, Zhongyi Rd., West Central Dist., Tainan City 70041, Taiwan (R.O.C.)

電話/06-2218881 Tel / 06-2218881

傳真/06-2218882 Fax / 06-2218882

電子信箱:publicatnam.museum E-mail/public@tnam.museum

網址:http://www.tnam.museum Website/http://www.tnam.museum

©版權所有,翻印必究 ©2020 All Rights Reserved by Tainan Art Museu

 

【Technology's Counterattack on a Spiritual Trajectory】

Director's Preface

What is contemporary? As a noun, contemporaneity could indicate a segment of time that is moving in proximity to us. As an adjective, contemporary could transcend beyond temporality and signify a specific correspondence with the present time that also reaches beyond the sense of time. Being "contemporary suggests a specific

including the extension of time or the transcendence of a specific thing from the past. Because of the prevalent use of technology in the artworks on view in this exhibition presented at the Tainan Art Museum, the artistic significance of being "contemporary” demonstrated is thereby quite apparent. The Tainan Art Museum is a multipurpose institution, and SUPER - TRAJECTORY Media / Life Out of Balance marks its biggest contemporary art exhibition yet since the inauguration of the museum. The exhibition is an international collaboration between the museum and the curatorial collectives, INTER-MISSION and tamtamART, presenting a total of 16 artists whom were all born at the end of this century, an era with rapid computer and technological advancements. The contributing artists come from different countries, including Taiwan, Singapore, Spain, Germany, and France. Through this ensemble, the young generation's ideas for art are presented through a wide array of artworks. The exhibition seeks to explore the future prospect for contemporary humanity and culture in an era of diversity but does not intend to provide an answer to this enquiry.

The exhibition encompasses a wide variety of technology, with interactive applications using video and sound being the dominant. Some of the subject matters explored include urban development, environmental pollution, and climate change. Art created with the mixed application of video and sound evokes complex behaviors involving the visual perception and physical movements, prompting the conveyance of inner desires through experiencing the moving pulses of time. Interactive art transforms internal spiritual experiences from acts of seeing into dynamic and self-initiated expressions. As one expresses, physical gestures are used to project one's inner thoughts and desires. Nevertheless, whether one's moving inner body is aimed at the intended target is still up for debate, as seen in Ya-Wen Fu's Aiming, but at what V. So, is sound being utilised by humans, or are people obeying to sound? Nao Nishihara's Diligent Machine questions the relationship between sound and its receiver. Growing Sound Project by Lien-Cheng Wang uses sounds made by audience members to evoke their awareness for the environment. Sheet Fences by Chao-Hao Liao simulates a common urban architectural structure, erecting an unexpected wall that sparks doubt in people about whether it is an artwork intended to be displayed in the museum, or is it an insertion extracted from the real world? Too Far, Too Near by Ong Kian Peng uses time-lapse photography to convey the experience he had in Greenland, with feelings of tension conveyed by images and sounds of melting glaciers.

Contemporary art presents intense connections to life with the intention of sparking thoughts and feelings associated with contemporaneity, however, because it's based on personal experiences in one's everyday life, it could also sometimes feel distant and foreign to others. Because contemporary issues could be conveyed by the mass individual, although sometimes ambiguous and difficult to comprehend, contempo rary art has continued to thrive and challenge our thoughts and sentiments, as it even challenges the legitimacy of our contemporary existence.

 

Director of Tainan Art Museum

Fan Pan

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